This was my first survival bushcraft knife from ESEE Knives. I love survival knives and decided I wanted to buy the best - something unbreakable. After a lot of research over the
internet, I decided on the ESEE 4. ESEE have the best guarantee on their products you will ever find. Break it and they replace it. No questions asked. I fell in love with it and soon placed my order to ship one over from the US through theknifeconnection.com. I had
planned on getting the desert tan colour but made a rookie mistake on the order
code and got the jungle green with orange G10 scales. I loved the
knife, but the orange look wasn't quite what I wanted.
The scales are easily replacable, and so I started to
research alternative scales (eg handles). I discovered a number of forums on
which people were personalising their ESEE knives in all kinds of clever ways
and so I was inspired to create my own personalised knife .
A year earlier, I went on a 4x4 adventure with my good mate
Tim and his brother Pete up through the remote Australian interior. One night
we camped in an arid desert surrounded by mesa. Finding wood for a campfire was
difficult due to the sparseness of the vegetation, but after some searching we
found a standing dead tree and began to chop it up. It was impossibly hard and
dense, causing the axe to ring as if
striking iron on iron. It was well seasoned, burning strongly and releasing a
lovely aromatic smoke. We cooked lamb chops over the fire and told stories
until it was time to curl up in our swags. The whole experience was so
memorable, that I decided to take a small piece of the wood back with me as a
souvenir of the trip. At the time, I had a vague idea of making something with
it but now I knew that it would make the perfect scales for my ESEE!
I had decided to give my knife a complete makeover to go
with the new handle and so the process began by convexing the edge of the blade
using a piece of foam rubber with different grades of emery paper on top. It
was the first time I had done this and I found it rather nerve racking lest I
ruin a perfectly good blade. But it worked just fine and with the convexing
completed I moved on to phase two.
In the second phase I determined to etch the ESEE logos and
serial numbers into the blade. I sourced a powerful etchant from a computer
supplies store and began the process. It only took a few hours on each side
before I had a distinct and deeply etched logo. The result was fantastic.
I hurriedly applied paint stripper and within minutes had
wiped off the green epoxy coating (except on the flat of the handle sections
where I left the epoxy to ensure corrosion protection) and revealed a very
rough and unfinished steel surface. So it was back to the Emory paper for many
hours of painstaking sanding to take back the blade to a mirror finish.
Now to the scales. I had my piece of desert wood, a roughly
hewn branch approximately 2 inches in diameter and 8 inches in length. Because
it was small so there was no room for error. I carefully chose my first cut
straight down the center to create two equal slabs. The wood was exceptionally
hard, making progress tediously slow. It also created a fine dust that was
particularly irritating to the eyes. I later found out that this is
characteristic of this rare tree. After a lot of research, I discovered this
wood is probably Purple or Pink Gidgee a rare desert hardwood of the Acacia
family that grows in a few remote parts of Australia. It is a perfect wood for
turning and has been used in the past to make knife handles! Once the first cut
was complete, the wood inside had a lovely reddish heart with a dense grain. I
decided this would form the outside of my scales. I then proceeded to make flat
slabs by making lengthways cuts along the outer edge of the two pieces I had
created. Then I sanded them down perfectly flat so that they would sit flush
against the knife handle. Once this was accomplished I used the orange G10
scales to trace the pattern on to my wooden slabs and went about carving them
to shape. It took me many hours of cutting, filing and sanding before I finally
had my perfect replica scales. I carefully drilled and countersunk holes for
the screws and attached them to ensure they worked. A few minor adjustments and
a bit more sanding and they were perfect.
To finish the handles I applied a natural wood oil, a
mixture of Danish oil and carnuba wax and soaked the scales overnight in a
ziploc bag. Then I allowed them to dry, sanded them back with fine emery and
repeated. After a few treatments I buffed the scales with a dry cloth for a
nice polished finish.
The mirror finish on the blade was too clean-cut for a
working knife and 1095 high carbon steel is very easy to stain and rust, so the
final step was to put a patina on the blade. I firstly used vinegar and water
and heated this on the stove, placing the blade in the mixture. This worked
well, producing an even dark patina over the entire surface however, it was not
the look I wanted. So after removing some of the coating with fine steel wool I
applied some American mustard with a scrunched tissue to create a mottled look.
This worked beautifully and I applied two layers for different lengths of time
to create light and dark variation. Finally a rinse with water, a polish with a
dry cloth, and a layer of oil and the job was done!
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